Davis, knowing that Crawford being replaced would be a masterful, final blow to the ego, phoned her friend Olivia de Havilland. That's a famous quote, but Susan Sarandon's line reading of that is some of the most brilliant screen acting I've ever seen. It will be cheaper in the long run.”. . Ending Fatigue: Miriam and Drew are revealed to be in cahoots while there's still forty minutes to go, and around the time Charlotte is led to believe she has shot Drew, the film just goes on and on. Though she’s far younger than the psycho biddies of that era, Ambrose’s Dorothy perfectly mirrors the unhinged aggressors of … Was Bette playing with the press with her "Joan's dead, good" quote? | EU Privacy Preferences. This maneuver explains how Davis found herself sitting at Aldrich’s side throughout filming, why Aldrich obliged Davis’s creative input, and how Davis secured the leverage to properly torture Crawford. Despite her own demands, Davis was quick to make cracks about Crawford’s high-maintenance upkeep and took delight in pointing out the “mounds of hairpieces” Crawford brought with her to cover her thinning hair. . She was starchy and she survived. “That was obvious throughout the filming of Baby Jane—and the suicidal desire this put me into many times, was almost more than I was able to bear. All rights reserved. Do you still feel that way? . . Whereas Joan lost everything. and, frankly, I think it stinks.”, “I still get chills when I think of the treachery that Miss Davis indulged in on that movie,” Crawford told Considine, “but I refused to ever let anger or hate enter my heart.”. luggage. And after several hospital stays, terse legal meetings, and unsuccessful talks with Crawford, Aldrich succeeded in getting the studio to agree to replace her. However, during pre-production, Davis felt Aldrich was ignoring her input and fired off a firmly worded eight-page letter threatening to quit. During the illusion, Dr. Drew will enter the room and pretend to be John, only to become a … We thought, “Well, we have a great first image so maybe that should also be the last image.” That moment, right when all the possibility was pregnant and it could have gone any way. When her fellow Oscar winner balked at the part, Davis sent Aldrich to meet her in person in Switzerland and convince her to take the role. Absolutely. “‘She’s practically directing the picture for him right in front of me,’” she complained. © 2021 The Hollywood Reporter, LLC. were cast in Hush...Hush, Sweet Charlotte, including Wesley Addy, Dave Willock and Victor Buono. Synopsis Forty years ago, on the night they were meant to elope, Charlotte Hollis (Bette Davis) found her lover decapitated during a party, the blood on her dress leading everyone to suspect she was the murderer. Hush, Sweet Charlotte is somewhat overacted and certainly over-the-top, but an effective, very modern and highly underrated psychological thriller horror flick that’s a classic in my opinion. Hush, Sweet Charlotte Poor Charlotte Hollis. What did you think of the first season? Three other cast members from What Ever Happened to Baby Jane? Hush, Hush, Sweet Charlotte. They were inextricably tied to each other after Baby Jane, for sure. 8:30pm PT She had a stroke. In what might be the most surprising aspect of Hush…Hush, Sweet Charlotte, Bette Davis is not the most laudable performance of … Left, from Hulton Archive; Right, from Bettmann, Getty Images. Basically, he followed her into Beverly Hills. Did you think about carrying this story out until Bette's death rather than Joan’s? It's so simple and any other actor would have just landed that as the insult, the great act-out remark that it is. It was Ryan's idea to have this fantasy scene. Feeling ostracized, Crawford retreated further from the group—spending the majority of her time either avoiding the heat (and crew) in her trailer, or enforcing her compulsive routine on her entourage members including makeup artist Monte Westmore. With production on Hush…Hush, Sweet Charlotte wrapped, the series flashed forward between 1969 and 1978 to showcase Crawford's slow decline … Were there any other audacious scenes left on the cutting-room floor? You know, it's sort of like this – whoever ended up dying first, that's where the story would have ended. TV Schedule; New Tonight ... Hush Hush, Sweet Charlotte. There were reports that when Joan was in her last days she was hallucinating and having conversations with people who were no longer alive. “Trimmed perfectly in line, then curled in a circle. Left, from Everett Collection; Right, by Nina Prommer/PatrickMcmullan.com. Hush, Sweet Charlotte in 1964. Watchlist Added. The biggest mistakes you never noticed in Hush... Hush, Sweet Charlotte (1964). You can see where an editor might ask for more details - … And, of course, she was sexually abused by her stepfather and still was taking responsibility for that. I love that scene at the end of Hush Hush where Bette says "FUCK YOU!" An aging, reclusive Southern belle plagued by a horrifying family secret descends into madness after the arrival of a lost relative. Given that Joan and Bette never reunited as friends in real life, why was it important to the narrative to add that dream sequence? And this guy, his report of following her is so hilarious because you learn nothing. You mentioned omitting a real-life moment, You've said the real tragic character in this is Joan. You saw a three-dimensional representation of her complicated feelings for Joan Crawford. She would then inspect them. He let me hear it for the first time in a radio release . It was a black-and-white movie but she had color-coordinated | Do Not Sell My Personal Information We wrote but didn't shoot it; it was one of my favorite things but it just didn't fit. There were witnesses to that. Will be used in accordance with our Privacy Policy. She's been shunned by the community for decades, ever since the fateful night in 1927 when her lover was hacked apart with an axe. But a lesser-known Davis-Crawford battle followed—on the set of another Bob Aldrich–directed psycho-thriller, *Hush. So it's like that thing where you send out your investigator when somebody is saying they have whiplash from a car accident, and then you catch them playing tennis. “Crawford wouldn’t listen to you,” said Schiffer, according to Considine. This spiritual successor to ‘What Ever Happened to Baby Jane?’ is slow at … . by All the TV Shows That Are Ending in 2021. To truly send Charlotte to the loony-bin for all eternity, they decide to feed her some drugs, play a song called “Hush...Hush, Sweet Charlotte” and make her hallucinate the very party she found John Mayhem's body. I would layout six pair for her on the table. to spend hours ironing them in the one-hundred-degree weather.”, When Crawford arrived to set the fourth day of filming, Davis had already tactically befriended the local press and crew—the latter of whom she would eat lunch with. She pushes a huge cement flower pot over on them,killing them instantly. Understandably, the actresses were reluctant to re-team given their history. Before signing onto the film, Crawford demanded her name be billed first; to get Davis on board, Aldrich made a series of sizable concessions including a $200,000 paycheck—the same fee Aldrich was receiving—and his word that Davis would be an associate producer on the picture. That was the question FX anthology Feud: Bette and Joan left viewers with when it wrapped its look at the infamous feud between Joan Crawford (Jessica Lange) and Bette Davis (Susan Sarandon) during Sunday’s finale. Although certain moments in “Abandoned” feel exaggerated for dramatic effect—like Crawford being made to wait for her hotel room, and then being stuck in a room next to the garbage disposal—the episode’s writers actually skimped on the insane details of what actually happened. Charlotte Hollis is a semi-recluse, and widely believed to be insane. It was a glib line played without any glibness. It didn't really make sense to go beyond the point that we went because the show was about Bette and Joan. Charlotte Hollis, an aging recluse driven into dementia by horrible memories and hallucinations, lives in a secluded house where her married lover, John Mayhew, was beheaded and mutilated thirty-seven years before by an unknown assailant. But even while in the hospital, the movie star couldn’t resist sniping at de Havilland during these interviews, according to Ed Sikov’s Dark Victory: The Life of Bette Davis. evening dresses were chiffon, which meant that the wardrobe lady had But once one of those two women ceases to exist, that story is told. | California Privacy Rights On Sunday, April 23, the Feud between Hollywood icons Bette Davis and Joan Crawford will come to an end, as the hit FX series airs its Season 1 finale. Vanity Fair may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. “Fox had closed down my last movie [Something’s Got to Give],” George Cukor later explained to Considine, “because no actress wanted to take over for [Marilyn] Monroe. But she imbued it with a kind of regret and almost guilt. How strong is born out by "Cousin Charlotte"; I've never seen the movie based on that story ("Hush Hush Sweet Charlotte"), but you can see why it went to film. They were paying their tuition. She was paying for her room and board by doing this menial labor, cleaning toilets. The cast also included Mary Astor, a friend of Davis' since their days at Warner Bros. and after filming Hush...Hush, Sweet Charlotte, Astor retired from acting and died in 1987. There’s an iconic photograph of the real Bette and Joan sitting in those chairs as well where they look like they’re laughing. She was cleaning up after the other girls, she was making the beds, she was feeding the other girls. Hush, Sweet Charlotte is somewhat overacted and certainly over-the-top, but an effective, very modern and highly underrated psychological thriller horror flick that’s a classic in my opinion. I would say that just because it's Joan's death, Bette is the survivor in the story. There was always a rivalry between them, and the only time they actually made a movie together was Baby Jane. I do not wear well with tricks designed to make me do what someone else decides I will do.”, She ended by suggesting Aldrich “re-cast and pay me off. . © 2021 Condé Nast. . And it also imbued that moment with all kinds of poignancy. With production on Hush…Hush, Sweet Charlotte wrapped, the series flashed forward between 1969 and 1978 to showcase Crawford's slow decline as she hit the lowest of lows for her work on the B flick Trog. Learn more about Michael Petit at TVGuide.com with exclusive news, full bio and filmography as well as photos, videos, and more. Amber Dowling, Jean Bentley, [This story contains spoilers from the season finale of FX's Feud: Bette and Joan.]. Meanwhile, Davis took any and every opportunity thrown her way. She turned a corner and completely lost him. She had a double mastectomy. It would be fun if they did a special Halloween Sweet Charlotte tour with characters from the movie. That last shot is really a bookend of the whole series. The intended Crawford and Davis follow-up to Baby Jane: Hush…Hush, Sweet Charlotte (1964) also prompted some fruitful reflection. Although Crawford and Davis never reunited professionally (or personally) after the fallout from Charlotte, Feud's story ended on a more positive note thanks in part to a dream sequence party scene featuring some of the other key players in their famed feud: Jack Crawford (Stanley Tucci) and Hedda Hopper (Judy Davis). 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